翻訳と辞書
Words near each other
・ View Magazine
・ View model
・ View model (disambiguation)
・ View of Arles, Flowering Orchards
・ View of Bentheim Castle
・ View of Delft
・ View of Egmond aan Zee
・ View of Florence from San Miniato
・ View of Geelong
・ View of Haarlem with Bleaching Fields
・ View of Notre-Dame
・ View of Paris from Vincent's Room in the Rue Lepic
・ View of Tempōzan Park in Naniwa
・ View of the Asylum and Chapel of Saint-Rémy
・ View of the Domaine Saint-Joseph
View of the Garden of the Villa Medici
・ View of the Hebrews
・ View of the World from 9th Avenue
・ View of Toledo
・ View on the Amstel from Amsteldijk
・ View Park–Windsor Hills, California
・ View Point
・ View Point Inn
・ View Ridge, Seattle
・ View River Neighborhood Association
・ View Road Hospital
・ View Royal
・ View Street Historic District
・ View synthesis
・ View tax


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View of the Garden of the Villa Medici : ウィキペディア英語版
View of the Garden of the Villa Medici

''View of the Garden of the Villa Medici'' is a small painting by Diego Velázquez of the garden at the Villa Medici in Rome, with some figures standing watching an unseen event, possibly the works behind the scaffolding in the middle of the building in the background. It is now in the Prado. There is some controversy as to its date, with some scholars believing it was made during the artist's first trip to Italy (1629-31) and others feeling its advanced technique must mean it belongs to his second trip (1649-51). There is another version with similar features and the same title, and the two are of similar size and vary little in their execution and manner of depicting the garden.
Landscape painting was rare in Spanish painting of this time, with most commissions being religious works or portraits, and so Velázquez was somewhat cut off from the mainstream of French and Italian landscape art as practised by Claude Lorrain or Poussin for example), making his use of an oil sketch rather than an easel-painted work unusual. Such a revolution put him 200 years ahead of the Impressionist painters in choosing landscape as a topic, then showing interest in light, nature and their interconnectedness, and finally in his pictorial technique (abandoning detail to stain rather than paint, with little touches of the brush better appreciated stood further back from the painting than too close to it). Velázquez thus showed that he was not only a good painter for his mastery of technique but also his innovation, ahead of its time and nationally and internationally revolutionising other painters' way of painting.


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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